All Samuel John Peploe Oil Paintings

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
 

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Samuel John Peploe Green Sea,Iona oil on canvas


Green Sea,Iona
Green Sea,Iona
Painting ID::  39336
  mk147 c.1920 Oil on canvas 50.8x60.9cm
  mk147 c.1920 Oil on canvas 50.8x60.9cm

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Samuel John Peploe Kirkcudbright oil on canvas


Kirkcudbright
Kirkcudbright
Painting ID::  39337
  mk147 c.1919 Oil on canvas 55.9x63.5cm
  mk147 c.1919 Oil on canvas 55.9x63.5cm

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Samuel John Peploe Tulips and Fruit oil on canvas


Tulips and Fruit
Tulips and Fruit
Painting ID::  39338
  mk147 c.1919 Oil on canvas 58x48
  mk147 c.1919 Oil on canvas 58x48

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Samuel John Peploe Still Life Roses and Book oil on canvas


Still Life Roses and Book
Still Life Roses and Book
Painting ID::  39339
  mk147 c.1920 Oil on canvas 73.7x60
  mk147 c.1920 Oil on canvas 73.7x60

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Samuel John Peploe Landscape at Cassis oil on canvas


Landscape at Cassis
Landscape at Cassis
Painting ID::  39340
  mk147 1924 Oil on canvas 55.6x45.7cm
  mk147 1924 Oil on canvas 55.6x45.7cm

Height    Width


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     Samuel John Peploe
     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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